“Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” ― Plato
Music can also set the tone for a movie, a play, a book.
Behind the Moody Music
When I signed up to do a blitz for The Portal series, one of the things the organizer suggested was to put together a Spotify playlist—which immediately made me perk up in my chair. I jumped at the idea because it reminded me of how much fun it was to make mixed tapes for my friends when I was in high school and college. People loved my mixed tapes because I would spend a lot of time thinking about the perfect songs for each specific person a tape was for. It was hours of painstaking work and consideration...and I loved every second of it!
It probably took me a week to finish the playlist for The Portal. At first it was just a collection of songs I like to write to. Then I saw a pattern emerge, and much like how a story takes shape more and more as I work on it, the playlist began to tell a story that mirrored what went on in each installment of the series. For example, the very first song on the list begins with the line:
“You're a swine, and I'm saying that's an insult to the pig.”
(Brodsky Quartet and Elvis Costello)
Not only did I think it was a great attention grabber, it also was a good way to set up how Coralee in On the Other Side of Lust views her husband. The first 16 songs represent how Coralee feels about her awful marriage, her struggle with her faith, and her increasing lust toward the entity in her haunted house.
Track 17 on the playlist is an instrumental, sort of a palate cleanser to mentally prepare listeners for the next set of songs. Tracks 18 through 33 are for Clarissa of Through the Doorway of Desire, and they are meant to represent the downward mental spiral she experiences after moving into the house. Unlike Coralee, Clarissa had a happy marriage when she got there, but her growing sexual obsession with a serial killer and the paranormal experiences in the house make her increasingly confused. By the end, she’s aware of the mess that she made of her life, which I thought was perfectly captured in the lyrics of Track 33:
“I won't cry for yesterday, there's an ordinary world somehow I have to find.”
(Duran Duran)
Track 34 is another instrumental that sets the mood for the rest of the playlist, which is for Charlotte of The Entry to Ecstasy. Her story is not as dark and bleak as Coralee's and Clarissa's, but she still experiences a series of intense emotions as she tries to decide if she should stay with her boyfriend or not. When her ghost lover comes through the portal of the house, she's taken on a romantic journey that ultimately ends with one of my favorite songs of all time. By the end of the story, Charlotte figures out what true love means to her, and the song’s lyrics reflect that:
“Do I love you, do I?
Oh, my dear, it's so easy to see
Don't you know I do? Don't I show you I do?
Just as you love me?”
(Cole Porter)
It took longer to make this playlist than I thought it would, and for a while I had become as obsessed with it as my characters became with their paranormal encounters. But I have to say, I really enjoyed doing it and it’s definitely the best mixed tape I ever made.
It probably took me a week to finish the playlist for The Portal. At first it was just a collection of songs I like to write to. Then I saw a pattern emerge, and much like how a story takes shape more and more as I work on it, the playlist began to tell a story that mirrored what went on in each installment of the series. For example, the very first song on the list begins with the line:
“You're a swine, and I'm saying that's an insult to the pig.”
(Brodsky Quartet and Elvis Costello)
Not only did I think it was a great attention grabber, it also was a good way to set up how Coralee in On the Other Side of Lust views her husband. The first 16 songs represent how Coralee feels about her awful marriage, her struggle with her faith, and her increasing lust toward the entity in her haunted house.
Track 17 on the playlist is an instrumental, sort of a palate cleanser to mentally prepare listeners for the next set of songs. Tracks 18 through 33 are for Clarissa of Through the Doorway of Desire, and they are meant to represent the downward mental spiral she experiences after moving into the house. Unlike Coralee, Clarissa had a happy marriage when she got there, but her growing sexual obsession with a serial killer and the paranormal experiences in the house make her increasingly confused. By the end, she’s aware of the mess that she made of her life, which I thought was perfectly captured in the lyrics of Track 33:
“I won't cry for yesterday, there's an ordinary world somehow I have to find.”
(Duran Duran)
Track 34 is another instrumental that sets the mood for the rest of the playlist, which is for Charlotte of The Entry to Ecstasy. Her story is not as dark and bleak as Coralee's and Clarissa's, but she still experiences a series of intense emotions as she tries to decide if she should stay with her boyfriend or not. When her ghost lover comes through the portal of the house, she's taken on a romantic journey that ultimately ends with one of my favorite songs of all time. By the end of the story, Charlotte figures out what true love means to her, and the song’s lyrics reflect that:
“Do I love you, do I?
Oh, my dear, it's so easy to see
Don't you know I do? Don't I show you I do?
Just as you love me?”
(Cole Porter)
It took longer to make this playlist than I thought it would, and for a while I had become as obsessed with it as my characters became with their paranormal encounters. But I have to say, I really enjoyed doing it and it’s definitely the best mixed tape I ever made.































